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Entering the Halls of Valhalla- Kinera Nanna review

Project A³by Project A³  in aliexpress , balanced armature , chi-fi , dynamic , electrostatic , hybrid , iem , iem review 300-500 , Kinera , Nanna review , review 0 comments

Sound Review by Kzw

Disclaimer : Kinera has graciously provided us with this sample unit in exchange for an honest reviewThe views discussed below are a reflection of Project A3's thoughts surrounding the product. The sample has been run-in for at least 50 hours prior to reviewing in order to achieve an accurate representation of the product.





Introduction:
Kinera has been a mainstay in the porta-audio scene circa 2017, with their release of the Kinera H3 (2 balanced armatures + 1 dynamic driver). Ever since, Kinera’s namesake has become ubiquitous through the subsequent release of well received earphones, such as the Kinera Seed and the Idun. What distinguishes Kinera from the rest of the Chi-fi market are their strict quality control measures, reasonable price tags and their naming conventions based on the Nordic Pantheon. 

However, Kinera took a momentous leap of faith with the release of their 8-balanced armature IEM, the Kinera Odin; a statement piece by a brand clamouring to compete with their North American counterparts such as Campfire Audio and 64 Audio; an arms race to be the king of the proverbial audio hill. Unfortunately, the Odin remained a niche product. Kinera isn’t a brand recognized for its exorbitantly priced earphones; the significant cost jump from the Idun to Odin was too much to bear for many audiophiles. There was too much risk involved associated with such an expensive undertaking. It has remained a niche product ever since, for intrepid consumers daring enough to purchase it, given the dearth of reviews available on the internet. 

With that in mind, Kinera appears to be unfazed by the Odin’s commercial failure. Their latest endeavour, the Kinera Nanna, touts a flagship price. The difference, however, lies in its internals. This marks Kinera’s first foray into electret drivers.  Ever since Sonion began manufacturing miniature electret drivers, many brands were quick to jump on board the collective hype train. Shozy and Advanced Acoustic Werkes (AAW) were the first collaborative brand to release an electret-based earphone, the Shozy X AAW Pola. Based on early impressions, these micro-electrostatic drivers are known for their hyper-realistic timbre, at the cost of having a higher impedance rating. 


The Kinera Nanna boasts 2 electret drivers, 1 balanced armature and 1 dynamic driver; a confluence of the most popular IEM drivers currently available in the market. Priced at the $899 USD, one could place this alongside the Odin as a sister IEM. But, is the Nanna worthy of its extravagant pricing? Available at the Kinera Official Store or Hifigo.

PROS
CONS
●       Beautiful finish on the acrylic shells
●      Soft and supple OCC cables
●       Life-like timbre
●       Realistic midrange
●       Sonorous Highs
●       Thick but taut bass












●      Treble might be too splashy
●       Package could be more premium



















Specifications:
●        Sensitivity: 110dB
●        Impedance: 60 ohms
●        Driver Configuration: 2 Electrostatic – 1 Dynamic Driver- 1 BA
●        Frequency Range: 5 Hz- 50 kHz
●        Plug Type: 3.5 MM
●        Interface: 0.78mm 2-pin
●        Cable Length: 1.2 m


Gear Used & Tracklist:
Onkyo DP-X1 | Sony NW-A105 | Aune X1S | Periodic Audio Nickel (Ni) | Venture Electronics Odyssey | Google Pixel 2XL

Genres
Artist
Songs
Live Recordings
Diana Krall
Desperado (Live)

Natalia Lafourcade
Soledad y El Mar

Case Lang Veirs
Atomic Number

Depeche Mode
Question of Lust (Live 1998)
Instrumentals
Max Richter
On the Nature of Daylight

Santa Esmeralda
Please Don't Let Me Be Misunderstood

Nils Frahm
Toilet Brushes (Live)
Jazz
Bill Evans
A Waltz for Debbie

Chet Baker
I'm a Fool to Want You

Sons of Kemet
Your Queen is Harriet Tubman

Ryo Fukui
Scenery
Rock
Avenged Sevenfold
Nightmare

The Stooges
Down On The Street

Avenged Sevenfold
Unbound (The Wild Ride)

Guns N’ Roses
Sweet Child O’ Mine

Ozzy Osbourne
Crazy Train

Green Day
21 Guns
Classical
Niccolò Paganini
La Campanella (From Violin Concerto No.2 In B Minor)

Pyotr Ilyich Tchaikovsky
The Year 1812 Solemn Overture

David Arnold
Independence Day
Pop
Hu Yang-Lin (胡楊林)
Perfume is poisonous (香水有毒)

Fish Leong (梁靜茹)
Love Song (情歌)
Western Pop
Anamanaguchi
MEOW

Iamamiwhoami
Chasing Kites

Algiers
Dispossession

New Order
Bizzare Love Triangle (Extended Mix)

Marian Hill
Breathe Into Me

Tyler, The Creator
EARFQUAKE

Tones and I
Never Seen the Rain

Red Hot Chili Peppers
Around the World
ACG
Saori Hayami
オレンジミント (Orange Mint)

RADWIMPS
前前前世 (Zenzenzenzense)

RADWIMPS
スパークル(Sparkle)

DAOKO
Cinderella Step

Kana Hanazawa
恋愛サーキュレーション (Renai Circulation)



Unboxing:
The Kinera Nanna comes packaged in an oversized hexagon box, with the name of the IEM embossed into the middle with gold leafing. The branding is reminiscent of text entries in a dictionary; a unique design that I’ve never come across before (props to the designer). Under the front lid, we have 5 pairs of Final Audio branded ear-tips, 2 pairs of foam tips, a leather case with a magnetic flap, a user manual, a cleaning brush and a 6.3mm adapter. The Nanna’s and the OCC Copper cable can be found inside the included leather case.

It is a luxurious package, but it lacks the prestige associated with flagship products of this caliber. When I receive an expensive product, I expect it to be treated like a bespoke item. The included leather case feels quite tacky and doesn’t reflect its hefty price tag. In addition, the OCC Copper Cable while aesthetically pleasing, doesn’t feel substantive enough. I expect more from a statement product, given the stiff competition at this price point, ala Campfire Audio. While it certainly offers the needed accessories, the quality of both the leather case and the cable could be improved.


Scalability:
The Kinera Nanna scales exponentially well with high-end gear with voluminous current output. The Sonion electret drivers are notoriously difficult to drive; an oddity considering IEM’s are primarily designed for outdoor use. However, it still retains its characteristic sound signature when driven from low-powered sources such as my Pixel 2XL with the Venture Electronics Odyssey dongle.

However, the bass does get overpowering, enveloping the mids with a wall of reverberating sub-bass. In order to exert more control over the Nanna, a proper damping factor can be achieved through a high-powered source. On the Sony NWA-A105, I still found myself reaching for the volume rocker, increasing the output volume by 30+ steps above my regular volume levels in order to attain a listenable volume.

With the Aune X1s, the Nanna’s bass is taut, the mids are given elbowroom to breathe and the soundstage manifests itself as vastly more expansive. Power is your friend here, and I implore readers to use a high-end source with the Nanna’s to maximize its full sonic potential. So in conclusion, this is clearly not recommended for commute user that are planning to go with just mobile phones. Even with a dap, it requires certain power to drive it well.


Fit:
Unlike the Kinera Odin, the shell adopts a universal acrylic shell that has been downsized proportionally. The shell itself is ultra-light, with a long spout that fits well in my ears. The cables are incredible supple, conforming well to the rim of my earlobes. The 3.5mm termination looks and feels premium with its carbon fibre rim and reinforced strain relief at the end. There are no imperfections to be found on the smooth exterior of its shells; the finishing and lacquering are impeccable. 

I have to commend them for managing to fit its large 4-driver array in a smaller shell. There is a pin-hole sized vent at the back of each shell, reducing its ability to seal or isolate well in noisier conditions. However, there is an argument to be made that this earphone was not designed for outdoor use, given its impedance rating; a bit of an oxymoron, but the Nanna’s are meant to be enjoyed at home. While it alienates most of its commuting audience, it is still possible to use them outside. Just take note that wind noise and other ambient annoyances might detract from your listening experience.




Sound Sig:
The Kinera Nanna is a beast of an earphone, touting a thick low-end with ample sub-bass rumble. But the midrange remains unclouded, with ample treble forwardness. The transition from its highs to its low carries an ethereal tonality that renders life-like timbre properties that I’ve never come across in earphone. There is a noticeable lower-mid focus, but the upper-mids remain pronounced and forward.


Bass:
The Kinera Nanna has a thick bass response, with a large emphasis on mid-bass. Its sub-bass response is gargantuan if unamped. However, when the Nanna is fed sufficient power, the low-end is more conservative in its presentation, with an even transition from mid-bass to sub-bass. On tracks like Earfquake by Tyler the Creator, its overtly bloated bass while impactful, sounds incredibly distinct from both the highs and mids, which somehow manages to sound pristine and distinctive from its monumental lower end. I’m guessing the active crossover is doing an amazing job in splitting the frequency spectrum across its array of drivers.




Mids:
The Nanna’s mid are ethereal, realistic and “magical”. I’ll try my best to dissect my equivocations. The midrange sounds incredibly pristine, with a lower-mid boost that acts a weighted base for the upper mids, recreating a timbre-realistic response. On Natalia Lafourcade’s Soledad Y El Mer, vocals have never sounded cleaner and lifelike. The plucking of strings on the featured flamenco guitars reverberate as it would have in a live setting. That tinge of added lower-mid warmth grounds the mix, favouring both dynamism and realism.

This is in my honest opinion, unprecedented in the IEM market. I foresee great things to come once the adoption of electret drivers becomes ubiquitous.

There’s something about the electret drivers utilized in the Nanna that sounds sonically superior to the flat presentation of a balanced armature, or the warm/clouded response of a dynamic driver.




Highs:
The Nanna’s feature a high section that isn’t clinical in its presentation. It rolls off relatively early compared to other flagships in the price bracket.  However, it captures ample sonic information without sounding scooped out or eliminate from the entire mix. It melds well with the midrange to create a cohesive sound that is oftentimes hard to achieve on multi-driver setups. It is important to note that it’s still features porous highs that complement its sweet-sounding treble (more on that later).

On Iamamiwhoami’s Chasing Kites, Jonna Lee’s diffuse vocals sound eerily lifelike, recreating her wispy vocals with razor-sharp accuracy without sounding brittle or harsh. The Nanna’s presents itself as almost neutral, with a pinch of “warmth”.


Treble:
This is what separates the Nanna’s from many earphones in the market; it has one of the best treble-responses I’ve ever heard in such a small form factor. It is sweet, saccharine and also forward enough without the exaggerated “S” notes that stab the eardrums. Cymbals and the snap of the snare drum carries enough wetness for it to sound tonally accurate, without being overbearing in its presentation. Steel instruments such as a xylophone sounds like the real deal. It is hard for me to explicate into words.

In the Sons of Kemet’s My Queen is Harriet Tubman, Shabaka Hutchings and his saxophone are given enough wiggle room to play freely without being ear piercingly loud. The constant ringing of the ride cymbal never sounded annoying or overbearing, but it still retains its harmonic qualities.



Soundstage:

The Odin's closeted-in soundstage was its biggest point of contention. The Nanna corrects that mistake, with a wider soundstage. I would argue that it could be pitted against the significantly more expensive rivals and it would beat them with ease or at least on par. The lateral width on the Nanna’s are incredibly expansive over a large soundscape. Instrumental cues and L-R channel panning are oftentimes, positioned at the back of my ears; a quality that I rarely experience in IEMs’. On Max Richter’s On the Nature of Daylight, its string sections can be both felt and heard across a stretched flat plane.


Separation:
Like its soundstage, the Nanna’s imaging capabilities do not cease to amaze me. Instruments and vocals are dualistically separate, without any of its constituents overlapping over one another. Nothing is lost in the mix, remaining distinct from one another so as to not sound like a transient mess. On Santa Esmeralda’s Don’t Let Me Be Misunderstood, from the percussive clap to the pluck of each string, nothing takes precedence over the other.


Musicality:
The Nanna is an earphone that plays well with many genres, ranging from pop music to lounge jazz. It fares well across a multitude of genres without sounding too thin nor too bloated. However, it does not sit well with songs that are poorly recorded on purpose, such as garage rock or low-fidelity music; it exposes its recording flaws quickly and succinctly without hesitation. If you’re planning to vibe to hardcore punk or poorly mastered tracks, the Nanna’s may double down on their audible imperfections. 


Comparison:


The Nanna is considered a reasonably priced flagship product, dwarfed by the current trends which favour sky high prices that easily break the $2000 price ceiling. To keep the comparison chart “grounded”, I decided to pit the Nanna against its older sibling, the Odin.

In addition, I chose the Campfire Andromeda, a beloved IEM in the audio community for its flat yet musical sound signature and the Advanced Acoustic Werkes (AAW) Ash, an affordable hybrid IEM that is considered an entry-level flagship.

This is the battle of affordable luxury.


Kinera Nanna

Kinera Odin

Campfire Audio Andromeda

AAW Ash
Suggested Retail Price
$899 USD


$899 USD


$1099 USD


$820 USD
Driver Configuration
2 Sonion Electrostatic drivers 1 Sonion balanced armature, 1 dynamic driver


8 Balanced armatures





5 Balanced Armatures





6 Balanced armatures, 1 Graphene dynamic driver
Scalability
DAP Suggested

Mobile/Dongle
friendly
Mobile/Dongle
friendly
DAP Suggested

Fitting

Snug and lightweight
Snug and lightweight
Snug and lightweight
Average
Comfort
Very Good
Very Good
Very Good
Average
Sound Signature
Slight L-shaped response, thick bass, slight lower-mid emphasis and treble focus.



Flat response, with a quick mid-bass punch





Smooth and Neutral, with a slight lower-mid emphasis





Aggressive V-shape with scooped mids, with a solid mid-bass bump and extended highs
Lows
Reverberating bass response, with a solid mid-bass to sub-bass transition.






Quick and deft bass response, with little to no rumble






Heavy mid-bass and decent sub-bass decay







Good mid-bass attack and slight sustain in the sub-bass regions






Mids
Ethereal, lifelike mids with realistic timbre.















Accurate but clinical midrange, with a tinge of warmth













Slightly warm, with a boost in the lower-mids














Scooped and thin mids, with the upper mids slightly present












.

Highs
Decent high extension, hyper realistic highs section







Highs are porous, with good extension








Clear highs, with a beautiful sparkle uptop








Exaggerated, wispy highs.









Soundstage
Superb horizontal width and extension





Average horizontal width, good positional cues




Good horizontal width, good positional cues




Good horizontal width, slightly congested sounding




Separation
Superb imaging, effortless to distinguish between vocals and instruments


Great imaging, vocals and instruments are easily distinguished


Great imaging, vocals and instruments are easily distinguished



Good imaging, vocals and instruments are distinct and separated


Vocal Performance
Eerily realistic vocals, complementing almost all vocal types





Flat and neutral, avoids colouring the vocals of both male and female (apart from slight warmth)




Amazing female vocal performance, with a sweet midrange






Exciting and engaging with female vocals







Instrument Performance
Sounds exceptional with all instruments tested






Sounds exceptional with percussion sections and acoustic guitars





Sounds great with all instruments tested







Sounds exceptional  with horn sections and brass instruments (jazz)






Remarks
Perfect for a timbre-accuracy and life-like music often unheard of in IEMs’





A slightly warm and smooth sound piece for long term listening






A comfortable reference IEM for long-term listening sessions.






Great for V-shaped frequency lovers who want the best of the best








Sound Conclusion:


Kinera has done its due diligence in ensuring that the Nanna succeeds the Odin’s on all fronts. I applaud Kinera for having the gusto for being at the forefront of the IEM industry, being one of the few bullish brands brave enough to incorporate electret drivers into the Nanna.I am  flabbergasted by the Nanna’s sonic prowess and its penchant for both clarity and its remarkable midrange. This is a sign of promising things to come.

By learning from tumultuous launch of the Odin and accepting constructive criticism from impassioned community, The Nanna has every right to market itself as a flagship. I openly welcome the Nanna into the thralls of Valhalla. This is an earphone for the ages*




*All ratings are accurate as of date of publication. Changes in price, newer models may affect Project A3's views on the performance and value of the reviewed product.

aliexpress balanced armature chi-fi dynamic electrostatic hybrid iem iem review 300-500 Kinera Nanna review review
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Project A³ is a collection of individuals that are passionate and dedicated to consumer and enthusiast audiophile products. Originating from various countries and involved in different fields what they all have in common is an appreciation for listening to music in the best way possible.
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